Plein Air, Oil, CVNP
Having a piece of cut canvas on hand, I decided to do some experimentation. For some reason, cheaper or imperfect materials somehow gives me permission from breaking away from typical approaches. It's the same experience with drawing in a spiral bound sketch pad opposed to a hard bound sketchbook. You can always rip out a bad sketch from a spiral pad and start over. There is a seriousness to expensive panels and permanent sketchbooks that keep me from experimentation and play.
I like the way, the brushstrokes are more apparent and patterned in this painting.
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